Instrumental Ensemble Works

• Serendipity for Strings, 2018–

• For the Universe Echoes for wind ensemble, 2015–

• Leviathan Emergent for wind ensemble, 3’00”, 2015; performed on May 3, 2016

• On Love for soprano and wind ensemble, 11’30”, 2014–2015; performed on October 1, 2015; March 16, 2016

• The Grey Hour for orchestra, 6’00”, 2012

• Elements for Wind Ensemble, 14’00”, 2009–2012; performed on November 25, 2013; May 6, 2017; May 7, 2017

• The Spark Imperishable for orchestra, 8’40”, 2009

• The Spirit of Human Endeavor for orchestra, 8’30”, 2007; performed on April 4, 2008

 

Operas

• Visions of Camelot for interactive operatic experience, 2012–; select scenes performed on February 8, 2012

 

Choral Works

• Lux Aeterna for SATB choir, 2 cellos, and piano, 2018–

• Look Back On Time for SATB choir and viola, 6’00”; 2017

• The Holly and the Ivy for SATB choir, 3’30”; 2017

• Prayer to the Holy Trinity for SATB choir and organ, 5’20”, 2017; performed on November 4th, 2017; November 5th, 2017; May 27th, 2018

• The End Is Where We Start From for SATB choir, 2’40”, 2015; performed on May 6th, 2016

• A Free Man’s Worship for SATB choir, 5’00”, 2015

• Star Death for mass choir and orchestra, 30’00” 2013–2014

• The Mystery of Love for SATB choir, 3’00”, 2011

• There is Another Sky for SATB choir, 2’00”, 2011

• Palm Sunday Cantata for SATB choir, chamber orchestra, and praise band, 18’00”, 2011; performed on April 17, 2011

• Remember Me for SATB choir, 2’30”, 2011; performed on April 17, 2011; June 7, 2015

• for 8 part SATB choir, 3’20”, 2010

• Praise the Lord! for SATB choir, piano, bass, and percussion, 3’00”,  2010; performed on September 6, 2010

• for chamber choir and chamber orchestra, 30’00”–45’00”, 2010

• ɑ] for 8 part SATB choir, 4’30”, 2008; performed on January 24, 2010

• Isaiah 43 for SATB choir, 4’40”, 2008; performed on May 25, 2008

• To Night for 4 part women’s choir, 6’00”, 2007

• Christ lag in Totesbanden arrangement for four part choir and string quartet, 3’40”, 2006

• For the Beauty of the Earth arrangement for SAB choir and piano, 4’14”, 2006

 

Chamber Works

• Beside The Golden Door for tuba quartet or octet, 4’45”; 2016, performed June 2, 2016; April 22, 2017

• For I Have Come to Know Your Soul for flute and clarinet, multi-movement version: 16’30”; 2014–2016 ; single movement version: 3’00”; 2014–2016; performed on September 24, 2014; March 9, 2015; March 20, 2015; May 14, 2017; March 17, 2018; March 20, 2018; April 5, 2018; September 21, 2019

• Rivulets for flute solo, 2 clarinets, bass clarinet, trumpet, 2 horns, trombone, 2 bass trombones, piano, 2 percussionists, 2 violins, and doublebass, 5’00”–6’00”; 2012; performed on February 8, 2013

• Speeding Tickets (And Other Abuses of Power) for flute, violin, horn, trombone, piano, and percussion, 2’30”; 2012; performed on February 8, 2013

• Malaise for bass clarinet, contrabassoon, trombone, tuba, and contrabass, 4’00”; 2012, performed on February 8, 2013; April 29, 2014

• Primordial Ooze for flugelhorn, bass clarinet, contralto clarinet, contrabass clarinet, contrabassoon, contrabass, piano, and dancers, 4’00”–7’00”; 2011; performed on December 1,2 2011

• for 2 soprano recorders, cello, and bodhran drum, 1’00”, 2009; performed on January 24, 2010

• A Fantasy in Forty for French Horn duet, 40”, 2009; performed on January 24, 2010

• For it is there that I find it for soprano duet and chamber orchestra, 6’00-7’00; 2009; performed on January 24, 2010

• For We Measure Our Lives By the Changes for flute, violin, and piano, 2’30”–3’00”, 2009; performed on September 12, 2009; January 24, 2010; April 26, 2013

• 5/8 of an Inch: A semi-autobiographical account of a visit to the chiropractor for chamber orchestra, 2’40”,  2009; performed on October 9, 2009; November 5, 2009; January 24, 2010; November 7, 2019

• Enkindle for soprano, trombone, and tam-tam, 8’00”, 2009; performed on January 24, 2010

• Feranequa for soprano, alto flute, and percussion duo, 4’00”, 2008

• Duo for Clarinet and Cello, 11’00”, 2008; performed on March 5, 2009

• Sonata in G for Flute, Clarinet, and Harp, 16’00”, 2008

• Chamber Suite No.2 (On Marsh and Mire) for flute, violin, trombone, and timpani, 15’00”, 2008

• Scenes from a Vision in Storkyrkan for 6 part male vocal ensemble,  piano, and tubular bells, 3’00”, 2008

• The Ruins of Temel Karn for percussion trio, 5’15”, 2007; performed on April 1, 2008

• Christ the Lord is Risen Today arrangement for chamber orchestra, 3’20”, 2007

• Chamber Suite in C (Creation) for chamber orchestra, 20’00”, 2007; performed on November 10, 2007

• The Great City of Tashnia for brass choir and percussion, 2’00”, 2005

 

           

Solo Works

• Theme and Variations on Silent Night for marimba, 4’20”; 2018, performed on December 24th, 2018

• Siren’s Song for mezzo soprano, 2’26”;’ 2017

• On Another’s Sorrow for mezzo soprano, 3’30”; 2015

• For I Sing Not Only For Myself, But Also For You for solo cello, 5’30”; 2014; performed on March 27, 2014

• Light Through a Green Structure for solo piano, 3’20”; 2013; performed on November 2, 2013

• For It Is In The Paralysis of Freedom That The Choices We Make Reveal Our Humanity for soloist; 2012; performed on April 13, 2013

• Solitude for solo piano, 4’00”; 2012, performed on February 8, 2013

• Fjord Lord for bass trombone and piano, 6’40”; 2012; performed on April, 2012; November 4, 2012; February 8, 2013; April 19th, 2016; to be performed on April 9th, 2018

• Inner Piano Etude No.1 for solo piano, 2’30”, 2011

• Isolation for flute and piano, 3’30”, 2009; performed on January 24, 2010

• The Ancient Glade for solo piano, 3’00”, 2009; performed on January 24, 2010

• for solo woodwind, 4’00”, 2009; performed on January 24, 2010

• for classical guitar, 6’30”, 2009; performed on December 3, 2009; January 24, 2010

• for soprano and piano, 2’15”, 2009; performed on January 24, 2010, to be performed on December 7, 2017

• Laetabilis portus for solo harp, 6’00”, 2009; performed on January 24, 2010

• Selections from Songs of Innocence for mezzo-soprano and piano, 12’00”, 2008; performed on February 12, 2009; Monday 23, 2009; January 24, 2010; March 9, 2010

• Forgotten Pathways for solo harp, 5’00”, 2008; performed on April 14, 2008

• In Frozen Wood for solo piano, 4’00”, 2007; performed on November 10, 2007

• The Cherry Trees for medium voice and piano, 2’00”, 2005

           

Electronic Works

• Visions of Camelot for interactive operatic experience; 2012–

• Orange Globules of Distant Paradise for stereo fixed media, 8’20”, 2010

• Resonai for stereo fixed media, 4’12”, 2010

• Glacius for stereo fixed media, 5’41”, 2010

• Zorbitron VII Gets Hulled for stereo fixed media, 3’50”, 2009

• Waterworks for stereo fixed media, 5’40”, 2009; performed on January 24, 2010

• Sonnet LXV for stereo fixed media, 3’00”, 2009

 

 

 

Commercial Projects

• Various arrangements and compositions including genres such as pop, alternative rock, gospel, and country.